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8 January 1836 – 25 June 1912. Most renowned painters.

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Giovanni Cariani
Portrait de deux jeunes gentilhommes venitiens

ID: 30976

Giovanni Cariani Portrait de deux jeunes gentilhommes venitiens
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Giovanni Cariani Portrait de deux jeunes gentilhommes venitiens


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Giovanni Cariani

Venice 1480/85-1547  Related Paintings of Giovanni Cariani :. | At the country defense canal in the zoo in moonlight | Kitchen Scene with the Supper in Emmaus | Evening mood at the battle lake | Frans Snyders cropped and downsized | Arab or Arabic people and life. Orientalism oil paintings 46 |
Related Artists:
Anton Ebert
German, 1845-1896
WATTEAU, Louis-Joseph
French Painter, 1731-1798 Nephew of Antoine Watteau. He trained in Paris with Jacques Dumont, and at the Academie Royale, where in 1751 he was awarded first prize for painting. In 1755 he settled in Lille; there he became assistant teacher at the school of drawing, but was dismissed, because of what was considered a scandalous innovation, the introduction of study of the nude, as in Paris. He then returned to Valenciennes for some 15 years; around 1770 he became assistant teacher to Louis-Jean Gueret, director of the school of drawing in Lille, whom he succeeded in the post in 1778. On Watteau's initiative, an annual Salon, at which he himself exhibited regularly, was established in Lille in 1773.
Ramon Bayeu
1746-1793 Spanish Ramon Bayeu Gallery The biography of Jose del Castillo (Madrid, 14.10.1737-Madrid, 5.10.1793) shows that the artist, being in his youth one of the most appropriate painters for becoming a leader of the artistic movement of the Illustrious Absolutism, ends up performing secondary work, paintings for tapestry and some religious works of art, which was not the field where he could best display his talent. Jose del Castillo is a perfect example of how an unhappy destiny can influence on the professional life of a painter under the regime of that time. Surely the unhappy destiny, in point of fact, does not explain anything and we will have to find out the real reasons why one of the most promising careers in painting of the eighteenth century in Spain was crushed. Probably it was a combination of two unsuccessful elections, from our point of view, that excluded the figure of Jose del Castillo from the elite group of artists of that time.






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